Tradeswoman of Lisieux. She wears a serre-tete fixed with a double ribbon, like those worn by the women of Paris at night. The term "grisette" referred to a working class woman, usually in the clothes trade, but also carried the connotation of floozy. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.

Tradeswoman of Lisieux. She wears a serre-tete fixed with a double ribbon, like those worn by the women of Paris at night. The term "grisette" referred to a working class woman, usually in the clothes trade, but also carried the connotation of floozy. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Tradeswoman of Lisieux. She wears a serre-tete fixed with a double ribbon, like those worn by the women of Paris at night. The term "grisette" referred to a working class woman, usually in the clothes trade, but also carried the connotation of floozy. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style. by Album / Florilegius/Album Archivo is available for licensing today.
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